MAXmachina Weekend: Syntax of Undoing
The world premiere of Syntax of Undoing by Raymond Pinto, Matthew Jamal, and Team Rolfes was presented at the MAXMachina weekend event at MITU580, located in Brooklyn, New York. This one-night-only performance took place on November 1st, with the host acknowledging the audience’s efforts to make it to this special night following Halloween. Director and performer Raymond Pinto takes the stage in collaboration with musician Matthew Jamal and visual directors Team Rolfes in a reimagining of William Shakespeare’s The Tempest.
SUBMERGE: Beyond the Render at ARTECHOUSE NYC
I went to see SUBMERGE: Beyond the Render at ARTECHOUSE on Friday. The experience unfolds beneath Chelsea Market in this enormous, dark room where digital art surrounds you from every direction — it’s the kind of place that makes you forget you’re in New York for a while.
ARTE MUSEUM New York: A Multi-Sensory Journey Through Light, Sound, and Nature
I spent an afternoon at ARTE MUSEUM New York, and honestly, it’s one of the most thoughtfully designed immersive art spaces I’ve been to. The current exhibition is called “Eternal Nature,” and it explores the beauty and rhythm of the natural world through light, sound, and scent — in a way that feels surprisingly meditative rather than overwhelming.
Blink Twice: An Augmented Reality Exhibition at The Hudson Eye
Blink Twice explores the threshold between the visible and invisible, between what’s physically present and digitally conjured. Through Augmented Reality (AR) layered on digital art prints, each work comes alive when the viewer chooses to look again. This exhibition, the first of its kind in Hudson, is an invitation to reconsider the limits of perception in a world increasingly shaped by what we cannot touch. Curated by Digital Arts Blog founder, Cansu Peker, for The Hudson Eye Festival.