The creative behind Tatiana Saturday Sketch is a Prague-based illustrator and lettering artist whose work celebrates the small moments that make everyday life feel special. Drawing inspiration from quiet cafés, handwritten notes, books, architecture, and seasonal treasures, she creates warm, story-driven illustrations that often feel like pages from a visual diary. Her work frequently features her beloved city of Prague, where playful lettering and little details, from shop signs to tram displays, add humor and personality to familiar scenes. With a particular love for paper, she brings her illustrations into sketchbooks, postcards, stickers, and printed goods, embracing the tactile and collectible qualities of the medium.

Taha Bostancı is a Turkish 3D artist, creative technologist, and photographer whose practice spans 3D environment design, digital sculpting, visual effects, and deep-space astrophotography. Drawing inspiration from the cosmos, he creates digital artworks that balance expansive worlds with intricate details, inviting viewers to look beyond the surface and discover hidden meanings. Alongside his independent technology and game development projects, Taha creates 3D concept art and animations for the music industry, contributing to projects by Alan Walker. His work has been exhibited internationally at events including New York Art Week, Miami Art Week, and NFT.NYC from 2023 to 2025, with his artworks featured on Times Square billboards.

Daniela Krol is an artist and creative director based in Tel Aviv whose AI-assisted practice explores identity, femininity, desire, and control through painterly, surreal imagery. Her work often begins with an emotion or an unspoken story, using image-making as a way to understand feelings that are difficult to put into words. Working with generative AI, Daniela moves intuitively between colors, forms, and compositions, continually reshaping her images until they capture an initial feeling or reveal something unexpected. Rather than focusing on the endless possibilities of the technology, she searches for the one image that carries a genuine emotional presence.

Adam Connelly is an artist whose work examines the relationship between digital culture and physical media, with a particular interest in how technology shapes our ideas about bodies, privacy, and identity. His series The New Models, created between 2001 and 2004, consists of oil paintings based on pixelated nude images sourced from the early internet. By translating digital imagery into traditional painting, Adam explored the role of internet pornography in driving technology adoption and innovation, while raising questions about censorship, representation, and the circulation of intimate images online. Now reissuing prints from the series, he revisits a body of work that captures a formative moment in internet culture, before the term “post-internet” entered the art-world vocabulary.

At first glance, Behnam Raeesian’s posters appear almost effortless: polished forms, saturated fields of color, and a small number of immediately recognizable symbols. But this visual clarity is precisely what makes the works unsettling. Raeesian uses the language of contemporary advertising and digital communication to address violence, political control, war, religion, and social anxiety, allowing disturbing meanings to emerge only after the initial attraction has passed. His symbols remain recognizable, yet their meanings begin to fracture from within: a ballot box becomes a coffin, a whistle becomes a weapon, and a radiation symbol merges with a device for reproducing sound. In this tension between the smoothness of the image and the instability of the sign, Raeesian develops what might be called a politics of the second glance.

Marina Imar is an artist working across painting and digital art, with a practice shaped by geometric forms, expressive color, and elements of Japanese visual culture. She is interested in simplifying familiar objects, animals, and everyday scenes into basic shapes while preserving their character and mood. This approach comes through particularly in her Geometric Cat Art series, where cats become playful characters through combinations of geometry, color, movement, and humor. Rather than treating geometry as something rigid, Marina uses it as a flexible visual language that allows her work to move between structure and abstraction while remaining lively and recognizable.

How can artists respond creatively to technologies whose structures exclude the very communities they seek to represent? Jake Elwes uses drag to confront the ways AI systems fail to recognise queer identities. By creating The Zizi Show, they bridge drag performance and deepfake technologies as a way of reclaiming technologies that can exclude marginalized communities. Through an artistic practice that remains inviting, engaging, and playful, Elwes addresses political, social, and structural issues around emerging technologies.

Andy Baird is a digital artist and the creator of Stiff Competition, a series of six original characters styled as 1994 action figures and placed into individually composed scenes. Each work is presented as a one-of-one digital artwork, framed by the fictional history of a toy line that never existed: an invented manufacturer, a cancelled 1990s product range, and even a decommission notice. Rather than pretending these objects are lost pieces of pop-culture history, Baird makes the fiction part of the work, building an alternate archive around characters and stories that are entirely his own.

Alina Stopina is a 3D visualizer and the founder of SILNO DESIGN, a studio with offices in Miami and Poland. For more than 14 years, she has worked on photorealistic visualization of residential and commercial interiors for clients in the US, Poland, Ukraine, and the UAE — from private residences to penthouses of up to 700 square meters.

Eddie Kim is a multidisciplinary artist whose practice began with charcoal, pencil, and mixed media, often focusing on figures and faces and the emotional weight that can emerge from just a few marks. More recently, he has moved into AI-assisted digital work, using the medium to experiment with materials, lighting, camera angles, and entire environments at a much faster pace. His latest piece, The Part That Couldn’t Keep Up, continues that evolution, shifting his earlier charcoal sensibility into a striking cobalt-and-chrome world. The seven-frame silent work follows a chrome rider whose human reflection suddenly stops following her, using a simple surreal premise to explore ideas of identity, separation, and transformation.

Lila Rui Lan (蓝睿) is a London-based multidisciplinary artist from China whose practice spans photography, moving image, and interactive installation. Through participatory works, she explores the relationships between individuals, communities, nature, and technology, questioning how these systems shape one another and how they might be reimagined. Rather than offering fixed conclusions, her installations invite viewers to engage through embodied experience, creating open-ended encounters that encourage reflection on the social and algorithmic structures that influence everyday life.

Tong Zhao is a New York–based multidisciplinary designer whose practice spans brand identity, art direction, digital experiences, motion, and object-making. Currently a Senior Visual Designer at Robinhood, she approaches design with a curiosity for how ideas can evolve across different mediums, moving fluidly between digital and physical forms. Alongside her professional work, she maintains an independent practice where she explores jewelry, ceramics, textiles, and other slower, hands-on methods of making, bringing the same thoughtful attention to craft and storytelling into every project.

Anna Huijun Wang is a Los Angeles–based animator and multidisciplinary artist whose work moves fluidly between hand-drawn, 2D, and procedural 3D animation. A graduate of New York University Tisch School of the Arts and the University of Southern California, she currently works at BUCK, creating animation for clients including Google and Apple while maintaining an independent practice focused on experimental filmmaking. Across both commercial and personal work, Wang treats animation as more than a visual medium — it becomes a way of exploring identity, perception, and the constant process of transformation.

Cain is a multidisciplinary artist whose practice spans tattoo design, digital illustration, graphic design, product collaborations, and 3D concept development. Working primarily with digital tools, he creates bold, striking imagery that often makes its strongest impact through simplicity and immediacy. Whether designing for the screen or the body, his work is driven by an interest in visual language that captures attention first and gradually reveals deeper emotional and personal meaning. For Cain, digital creation is not an endpoint but the beginning of a process that ultimately transforms ideas into lived, physical experiences.