A blog dedicated to digital artists
Exhibition: Making Our Miracles
Making Our Miracles is a collaborative project by artist Clayton Campbell and curator Cansu Peker, who will together conceptualize and present a series of contemporary digital ex-voto art works created by a cohort of international artists using AI-assisted art in a unique participatory project.
Making Our Miracles is presented in partnership with DeepAI, and has been invited to be part of the 7th edition of The Wrong Biennale, taking place from November 1st, 2025, to March 31st, 2026.


Wayne Ashley is a producer and entrepreneur with over two decades of experience shaping the XR ecosystem across virtual reality, mixed reality, video gaming, live performance, installation, and immersive design. As Founder and Executive Producer of FuturePerfect Studio, he has worked at the cutting edge of culture and technology, developing projects that bring together art and innovation.
Xinyu Yu is an award-winning artist and designer whose practice bridges the lyricism of Eastern traditions with the innovation of contemporary Western art. Born and raised in China, she trained rigorously in ink, watercolor, and oil painting before expanding her perspective through studies at Pratt Institute in Interior Design and at the University of Pennsylvania in Sustainable Design. Now based in Phoenix, Arizona, she draws inspiration from the region’s diverse landscapes and cultures, blending her cross-cultural background into a body of work that is both grounded in history and open to transformation.
Jude Buffum is a Philadelphia-based pixel artist and illustrator whose work reimagines 8-bit aesthetics for the present day. With over two decades of experience, he has collaborated with major brands like Disney, Marvel, Sony, Hasbro, ESPN, WWE, Taco Bell, and Target. A graduate of Temple University’s Graphic Arts and Design program, Jude began his career in book design before founding his own studio in 2007, where he has since become known for vibrant, retro-styled illustrations and conceptual storytelling through pixels.
Cubist Heart Laboratories is a global collective of scientists, artists, and shamans “found wherever electrons move,” founded by Creative Director John See Landry. Based in Boston, Landry is a visual artist with a BFA in Painting from Rhode Island School of Design, whose work explores the intersections of art, technology, and time. With projects like BorrowedTime — a daily clock built with React that remixes found internet imagery — the collective creates experimental works that blur the boundaries between design, computation, and poetic expression.
Cansu Waldron is a writer and curator exploring the intersection of art and technology. Originally from Istanbul, Türkiye, and now based in New York, she earned her MA from NYU Tisch School of the Arts as a Wasserman Scholar. Through curatorial work, writing, and public speaking, she has shaped conversations around digital art and creative technologies. In 2023, she founded Digital Arts Blog, a platform dedicated to supporting digital artists, promoting inclusivity, and fostering public understanding of digital practices.
Shannon Bulrice is a multidisciplinary artist who blends punk aesthetics, emotional storytelling, and emerging technologies. Her work is known for surreal, character-driven imagery that explores identity, softness, and defiance, using both traditional tools and AI-enhanced design. Shannon creates worlds where rebellion and tenderness coexist, inviting viewers into spaces that feel both strange and deeply human.
Nacho Frades is a digital painter whose luminous, minimalist works blend the spirit of classical painting with contemporary technology. He began drawing as a child, inspired by El Greco and endless museum visits, and went on to study with realist master Antonio López, who instilled in him the discipline to follow his own path. After years working in animated films, Frades shifted fully to digital painting in 2005, developing a body of work that feels both introspective and futuristic. His art has been exhibited internationally, from museums to billboards in Times Square, and is held in collections around the world.
Ada Crow is a multidisciplinary artist and art historian from Asturias, Spain. With a background that bridges traditional art history and contemporary practice, her work reinterprets iconic imagery through photography, oil painting, drawing, AI, and stop motion. Influenced by Surrealism, Flemish painting, and the Baroque, she seeks a balance between visual beauty and conceptual depth, always circling back to the question of what it means to be human.
Wenqing Gu is a Las Vegas–based freelance illustrator and visual storyteller whose digital artwork spans children’s books, 2D animation, and editorial projects. Drawing inspiration from both her Chinese heritage and American experiences, she brings warmth, humor, and a touch of wonder to her illustrations, inviting audiences of all ages into imaginative worlds.
Jun Lin is a Los Angeles–based graphic designer and illustrator with a background in Literature. Her work spans branding, print, digital, packaging, and illustration, brought together by a methodical, research-driven, and empathetic design sensibility.
Guillermo Flores is Mexican designer and illustrator based in Guadalajara, specialized in advertising illustration, retouching, post production and digital collage. He created unique images for advertising campaigns, as well as collaborating in the publishing world, developing illustrations for magazine covers, editorial articles and books.
Tips & Tools
Whether you're applying for freelance gigs, looking to land an art residency, or just want a clean, professional way to showcase your work, having a digital art portfolio is essential. It’s your visual resume, your pitch deck, your highlight reel. But how do you actually build one that feels you and also gets the attention of clients, curators, or collectors? This guide includes honest tips for making a digital art portfolio that stands out.
Rebelle 8, with more than 40 new features, marks a major milestone in the software’s evolution. This version introduces powerful new Bristle Brushes, a realistic oil shader with soft shadows, expanded professional tools, and refined workflows designed to meet the demands of both emerging and established digital artists.
For digital artists, moving from 2D to 3D has often felt like crossing a creative canyon—steep tools, complex workflows, and time-consuming processes. That divide between 2D creativity and 3D production has kept illustrators, concept artists, and solo developers from fully exploring new dimensions of their work. Meshy changes that. It lets creators turn sketches, images, or even simple prompts into export-ready 3D assets all from the browser, with no prior experience in modeling or rigging required.
The 2025 NYSCA/NYFA Artist Fellows and Finalists have just been announced — and I can finally share that I had the honor of serving as a panelist this year!
Art is everywhere - on walls, in books, across city streets, and tucked away in private collections. We admire it, discuss it, even argue about it. Yet, beneath the surface of the pieces we know and love are some fascinating details that often go unnoticed. Here are five lesser-known facts about art that might just change the way you see it.
If you’re new to digital art, or even if you’ve been at it a while, you’ve probably heard the terms vector and raster thrown around. Maybe someone said, “That’s a vector file” or “Oops, it’s too pixelated — it must be raster.” And you were like... okay cool... but what does that mean, exactly? Honestly, same. I had no idea what the difference was before I sat down and did my research. In this guide, I’ll break down everything I learned about vector and raster art, when to use each one, what tools to try, and how it affects the way you create, share, and sell your work.
The Wacom MovinkPad 11 is one of those “I didn’t know I needed this until I saw it” devices. It’s for anyone who wants to draw more often — even if they’re not a “digital artist” yet. It feels like a sketchbook, works like a tablet, and delivers like a Wacom. Whether you’re doodling at a coffeeshop or finally making time for that comic idea you've been sitting on, it’s there for you.
Sunsets, summer crushes, and a love triangle we can’t stop thinking about — The Summer I Turned Pretty is full of digital art inspo. This beachy, emotional series makes the perfect moodboard for dreamy fan art. Here’s some of my favorite illustrations inspired by the show.
So you’ve heard about NFTs when they took over the internet in 2021 and 2022, and after 2023 it felt like everyone forgot about it and you think you missed the hype. I’m here to tell you that you’re not late to the game at all. We’re actually just starting! In this guide, I’ll walk you through the basics of minting your first NFT. By the end, you’ll have a clear sense of how it all works, what platforms to try, and what scams to avoid.
When we set out to create Making Our Miracles, a collaborative digital art project inspired by the tradition of ex-voto paintings, we knew we wanted to explore the boundaries of what was possible with AI. So when DeepAI came on board as a sponsor and creative partner, it opened up a whole new world of experimentation for our artist cohort. Each of the artists approached the tool with different ideas, methods, and expectations — but one thing we all shared was curiosity.
We’re living through an exciting moment of digital transformation, and the art world is right in the middle of it. The gallery experience is evolving far beyond paintings on a wall or sculptures in a room. Today’s exhibitions are immersive, interactive, and shaped by technology. Whether in-person or online, the gallery is becoming a space where tech isn’t just a backdrop; it’s part of the creative experience.
Urban digital installations, dynamic, interactive artworks integrated into city environments, are central to contemporary urban identity. Art agencies, specialized organizations that foster creative projects, play a key part in public art by connecting artists, technology, and communities.
Exhibitions & Events
When I spoke with curator of the AI HOKUSAI project, art manager and producer, and CEO of TAtchers’ Art Management, Anna Shvets, she described a project that feels part laboratory, part homage, and part provocation. For more than a year and a half the initiative has been asking a deceptively simple question: what happens when you bring Hokusai’s way of seeing into a world shaped by code?
Swiss artist duo KiefferWoodtli bring their immersive audio installation Arboreal Severance to New York’s Planetary Embassy during Climate Week. Using the living signals of a 101-year-old Japanese Pagoda Tree, the work explores our fractured relationship with the Earth — shifting between harmony and dissonance as visitors move through the space. On view 23–25 September, the installation invites audiences to listen, feel, and remember our connection to nature.
Britain is cementing its place as a global hub for AI and digital art. This September, Digitalism returns to the British Art Fair at Saatchi Gallery with over 60 artists showcasing work across AI, AR, VR, moving image, sculpture, and more. Founded by Rebekah Tolley in collaboration with British Art Fair CEO Will Ramsay, the exhibition has already attracted over 87 million views on Instagram — and promises to be one of the most exciting digital art events of 2025.
City of Apparition is FuturePerfect’s new mixed reality experience, created in collaboration with visual artist Lin Shu-Kai. Building on a decade of immersive storytelling research and Lin’s fully analog world-building and puppeteering practice, the project merges installation and visual art with game engines and interactive technologies.
Blink Twice explores the threshold between the visible and invisible, between what’s physically present and digitally conjured. Through Augmented Reality (AR) layered on digital art prints, each work comes alive when the viewer chooses to look again. This exhibition, the first of its kind in Hudson, is an invitation to reconsider the limits of perception in a world increasingly shaped by what we cannot touch. Curated by Digital Arts Blog founder, Cansu Peker, for The Hudson Eye Festival.
On May 5th, Columbia University’s Digital Storytelling Lab hosted its Spring Showcase: an evening of projects that redefined storytelling through AI, AR, physical computing, and more.In this feature, we’re spotlighting Gesture MIDI Controller: A Wearable Musical Interface, a student project by Jaeden Riley Juarez that transforms movement into sound through creative coding and custom-built tech.
If you find yourself in East London this summer, Body of Knowledge, Louisa Clement’s current solo exhibition at Annka Kultys Gallery, is well worth the visit — arguably one of the gallery’s most powerful shows to date.
What happens when technology becomes more than a tool — when it becomes a reflection, a counterpart, even a source of longing? In The Romance of Technology, artist and immersive storyteller David Van Eyssen invites audiences into a visually charged, deeply personal talk exploring the strange intimacy we’ve developed with machines.
In her world premiere performance The Ode Islands, artist Ornagh merges live theatre, motion capture, and responsive virtual reality to craft a one-woman show unlike any other — one where the body, voice, and digital world move as one.
Looking for an unforgettable immersive art experience in NYC? Amplified: The Immersive Rock Experience at ARTECHOUSE tells the story of rock music and its cultural impact. Presented by Rolling Stone, this digital art show explores music history, protest, fashion, and fan culture — from legends to modern icons like Billie Eilish and Chapel Roan. A must-see for music lovers and visual experience seekers in New York.
Last Thursday, I joined a panel titled “The Evolution of Digital Art NFTs: Defining a New Art Movement.” I got to sit alongside Vanessa Nawka Leschke, Maksymilian Nawka, Marjan Moghaddam, Kyt, and Dani Ropi. We talked about how to ensure meaningful art is truly seen, valued, and preserved; the many ways we can exhibit digital work; and what the future might look like as digital art continues to be adopted and understood.
In her latest exhibition m/Other, artist Ibuki Kuramochi invites us into a deeply personal and poetic meditation on kinship, care, and the maternal — seen not as a fixed identity, but as something fluid, complex, and sometimes fractured.
Artist Spotlights
Discover the remarkable talents of digital artists from all backgrounds and practices, and learn more about their stories and inspirations
Exhibitions & Events
Stay in the loop with insightful reviews and commentary on the latest events and exhibitions in the digital arts world
Tips & Tools
Learn about the fundamentals of different forms of digital art and find essential tools and valuable guidance to build a thriving career as a digital artist

Junrong (Arving) Wu is an award-winning multidisciplinary visual designer based in New York City. His practice spans motion graphics, branding, and art direction, merging conceptual storytelling with sleek visual precision. A Gold Winner at the London Design Awards and recipient of the DNA Paris Design Award, Junrong currently works with DE-YAN NYC, where he contributes to high-profile branding and experiential media projects. His work often bridges the physical and digital, transforming memory, perception, and cultural identity into immersive visual experiences.